In fact, RØDE makes an accessory called Lav-Headset (shown above) that converts lavaliere microphones into head-mounted microphones. Network RJ-45 Ethernet output (for live streaming, together with video)ĭepending upon the type of live program you have in mind, you might use any combination of lavalier (shown below),.2 x 1/4” (6.35 mm) balanced TRS line outputs (left & right).2 HDMI outputs (together with the video).They are named Net1 and Net2 by default, but you can rename either or both. However, that approach won’t work if you want to take live phone calls from an analog telephone connection, and will lack other features that I cover in detail in this article.įinally, just as with other TriCaster models, TriCaster Mini can accept audio (and video) via either of its two Network inputs. If you are sure that your cameras have good audio quality using their internal microphones or external microphone input-and you only need as many microphones as cameras-you could potentially avoid having to purchase any external audio mixer. In addition to the analog audio inputs mentioned, TriCaster Mini can also accept embedded audio over HDMI from each connected camera, if desired. Fortunately, the three reference audio mixers I recommend in this article offer both balanced and broadcast level line audio. The ideal input level is +4dBU (broadcast line level), but it will accept lower (consumer line level) with no problem if your audio mixer doesn’t have balanced or only offers consumer level. Although a balanced connection is ideal, it is not an absolute requirement that your mixer have a balanced output: you can alternatively send unbalanced line level (or even microphone level) and it will work. You can take the stereo balanced output of an external audio mixer and send it into the TriCaster Mini. If you want to use more than a single microphone, you’ll likely be adding an external audio mixer to augment the internal one in the TriCaster Mini. TriCaster Mini Audio ConnectivityĪs you may have read on the NewTek website or in my initial 3-page article in ProVideo Coalition magazine, TriCaster Mini has a single balanced microphone input which is 1/4-inch TRS (Tip/Ring/Sleeve), and a pair of balanced line-level inputs (i.e. an indoor basketball court or another similar venue-then you should consider very close and directional microphones, like broadcast headsets for your on-camera talent, as explained in more detail later in this article.Īnother important detail to keep in mind is that for best results, the studio or set should be acoustically isolated from the “control room” where the TriCaster, director, and producer are located. If the environment is nearly impossible to treat acoustically and/or filled with background sound-e.g.
In fact, Creo Productions from Grand Rapids, Michigan, US used 5/8” QuietRock, as you’ll see here in an impressive testimonial. If you are still in the process of building walls, you might consider using a sheetrock alternative called QuietRock. They are available from multiple manufacturers including Auralex, Primacoustic, and SONEX, and are probably available from the same NewTek authorized dealer where you purchased (or are planning to purchase) your TriCaster. That’s why if your desired location is not already acoustically dead, you should strongly consider installing acoustic absorption panels on the walls and ceiling. Although the most directional microphones isolate sounds to a certain degree, when the “spill” of one person speaking hits multiple microphones both directly and indirectly (bouncing off of the walls, ceiling, and floor), the compound effect of audio spill gets even worse. This is the case in general, but even more when there are to be multiple microphones that are “open” (on) simultaneously. In audio terms, “dead” means without echo or reverberation.
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Note that much of the information in this article is applicable to other TriCaster models too.įor ideal results, your TV studio, set, or wherever the action takes place should be acoustically “dead”. Part III: Taking live telephone calls, sidetone, mix-minus.Part II: On Air lights, audio mixers, audio monitors, and snake cables.Part I: The acoustic environment, types of microphones, IFBs.
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However, it may not be so obvious how to create your audio setup. Either way, you know that TriCaster Mini is a powerhouse production system in a box, and that you can connect it to virtually any set of HDMI cameras for live webcasting and/or live-to-disk recording. Perhaps you own-or are strongly considering getting-a TriCaster Mini.